September 13, 2012

The Spectralization of Paul (Part 4)


III.1
Radicalness and Domestication:
A Material Encounter with Breton’s Saint Paul

Readers who approach A Radical Philosophy of Saint Paul expecting a perspective akin to Žižek or Badiou may be disappointed to discover that Breton is quite committed to a spiritually inflected interpretation of Paul’s mission and thought. Breton is, after all, a Catholic theologian by vocation, and his understanding of the Apostle, though quite radical in places, is more informed by Saint Thomas Aquinas than Saint Marx or Saint Lacan. For this reason, I will begin my discussion of Breton’s A Radical Philosophy of Saint Paul not with the text but with the book—that is, with the material component of the text as it is presented to today’s English reader. Beginning this way will complement both Blanton’s discussion of mediating technology and my reflections on the spectralization of Paul.

Breton’s book was originally published in 1988 with the much less confrontational title Saint Paul. The book’s first complete translation into English, 23 years later, is presented to Anglophones by Columbia University Press, with a somewhat abstruse introduction by Blanton, as part of a series called “Insurrections: Critical Studies in Religion, Politics, and Culture” (whose list of editors includes, naturally, Slavoj Žižek). Of course, Breton’s book, hot on the heels of several critical interventions into the philosophy of religion and the history of early Christianity by a variety of radical European thinkers, could not have arrived in English at a better time, or with a more seductive title: A Radical Philosophy of Saint Paul. To the core “Saint Paul” is added “A Radical Philosophy of,” as if to say this book could not have been published in English, would not have sold a copy, with such an irresolute title. And how could this book have appeared today with its original title, a title that, rather than hyping an alternative claim to the Pauline legacy—as, indeed, it is expected to—would merely confront the prospective buyer with its sparse dignity, its self-righteous ordinariness? The author must choose a side, must align himself, and Breton, being dead, is retroactively pushed through the hymen-like fold of US academic publishing and disseminated, in a spectral body, as “one of the boys”—Žižek, Agamben, Badiou, Taubes.

In this way, a particular flavor of radicalness is cultivated, domesticated, and finally recouped into the stratified disciplinary boundaries of the knowledge economy. This metaphorical rape of academia by phallic capitalism is unsettlingly reified by the selection of cover art: a single stream of smoke, curling upward, against a cavernous (or carnivorous?) black background. Dare one ask what gave rise to this smoke? Was it the fire of revolutionary fervor, untimely snuffed? Or does the smoke pour from a lone militant’s rifle that, having fired its last bullet, now rests silently in trembling hands?  Or is the stream of smoke a kind of astral vapor pitched hauntingly and haltingly between being and non-being? Is it Paul’s specter, trapped in the book market, looking for another, less commodified technology to haunt?

All of this is not to say that Columbia University Press is guilty of intellectual grave-robbing or of intentionally perpetuating market maintenance; rather, such reflections question the logic of an economic system and culture in which Breton’s book, as valuable as it is, would not have been translated and published had it not been for the “branding” of radicalness. It is from this questioning and critical perspective that one can finally engage the text, which, as it is published now, seems to swell with the radical wish to present itself as other than it is. The words revolt against their arrangement on the printed page and seem to demand another passageway from text to reader, an alternative mediating technology beyond the reach of the free market. In what follows, I will offer a reading of the text that focuses on this subliminal and sublimating desire and follow it along the cultural currents that lead to the (always already commodified and compromised) Internet.